Margruite Krahn

The paintings in this exhibition are merely paint, oxide, egg yolk, canvas, and wood. I could take a knife to the images, slash and burn them, so that all that remains are the ashes. No material image.

However, the physical materials when put together have the potential to go beyond the physical image. Images, like musical notes, when placed in certain patterns will create something lasting. I believe that this happens when the artist, as master and servant to the craft, accepts his/her duty to search for beauty and truth. I do not mean this statement to sound inflated or like some romantic idealism. For me, it has become a hard, irreducible fact.

Maturity as an artist means I am more vulnerable. I no longer approach the blank canvas with preconceived ideas of the completed image. I approach with a sense that I am about to interpret beauty and truth and how that plays out within my limited understanding of the world and the nature of God.

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Five of the six paintings in “the Alchemy of Life” follow a symbolic interpretation of alchemy. The ancient alchemist in observing the flight of birds recognized in them the symbolic nature of the human soul undergoing spiritual development. The bird as symbol represents both the physical and spiritual world as they reflect certain archetypal experiences encountered by the soul as it goes through transformation. In alchemy, the process moves from Nigredo/Black Raven ,  Albedo/White Swan, Citrinatus/Yellow Pelican or Peacock, to Rubedo/Red Pheonix. The rooster, also an ancient spiritual symbol, coupled with the familiarity of chickens that roam my yard, completes the sixth painting in this exhibition.

Gyclee Prints                                         18" x 33"     $200

Originals                                                                    $5000 each

-      The paintings in this exhibition are merely paint, oxide, egg yolk, canvas, and wood. I could take a knife to the images, slash and burn them, so that all that remains are the ashes. No material imag

-          Margruite Krahn

This Gallery features a sampling of the effects of red, green, and blue LED lights against the tone on tone paintings.The camera angles and lighting effects were captured by photographer Ryan Bergen (www.ryanbergen.com). These images have not been altered by Photoshop or any other program.

Metal Prints of images                      12" x 18'        $175

Gyclee prints of images                    17" x 33"      $200

Collage wall float frames by Labworks - custom orders

Egg Tempera and Oxides

During a 2009 trip to Zimbabwe, I was struck by the rich colours used on the local mud huts and concrete floors. I returned with oxides (natural red earth) that had been blown into Zimbabwe from the Kalahari desert, with the intent of working with this new medium. After some experimentation with binders, I was particularly pleased with the look of combining oxide and egg yolk. As I raise my own chickens, eggs are readily available.

In 2011 while on a trip to Provence, France, I again came across the vivid colours of oxide in the Roussillion area. I returned from my trip with a larger colour palette. I began to marry this medium with my love for history, the cottonwoods of Neubergthal, the Canadian Shield (where I canoe), and community life.  Exploring oxide as mixed media can also include latex house paint, egg white varnish, linseed or Thompson seed oil, and polyurethane.

 Observant of the people and life around her, in the Community Life Series, Krahn portrays the depths of personal relationships in community life as she witnessed them. Her interest in people and their affinity with the land, each other, and their history permeates these large works.

Cards and gyclee prints available for all images

Cards : $5.00 each or 5 for $20  

Gyclee prints: $75 - $500 

Bomwoll Dakj – Canvas Floor Cloths

Since 2001 I have been actively involved in the restoration, presentation and documentation of Neubergthal, an 1876 Mennonite Street Village and National historic Site. This has greatly contributed to my development as an artist. Much of my work reflects the art and craft of early Mennonite women.

While ripping up the linoleum and carpet from several housebarn floors, hand painted patterns on the floor boards were uncovered. These were typically painted by the women in the villages during the winter months. The journey to seek out and document these patterns took me beyond Neubergthal to other villages and housebarns in southern Manitoba. Noticing a colour trend (yellow ochre and grey base), I began to look for this consistency and found that these were the base colours used in most Mennonite housebarns in southern Manitoba, and possibly Russia.

Before Linoleum (c 1920) the floor patterns were floral in nature. However, the linoleum patterns of the 1920s on, strongly influenced Mennonite women who then painted geometric patterns on the floors. As not all of the floors could be restored, I began to document the patterns on heavy cotton canvas.

In the 1400s the French used canvas oil cloths for rugs. This was considered the poor man’s carpet until it was adopted by the English, and then brought over to North America in the late 1700s. It seemed appropriate to me to document these floor patterns on functional canvas floor cloths. I have continued to recreate some of the patterns, and allowing artistic licence, they have taken on a contemporary design while using traditional methods.

All Floor cloths are made of 100% cotton canvas with non toxic latex paints and acrylic polyurethane. Carpets are bound with carpet binding.

Custom orders include place mats, play mats (kids), table runners, bath/kitchen mats, hall runners and area rugs.

Custom order floor cloths          $30.00-$35.00 sq ft.

 2017 - Currently in the studio working on a new body of work- the White Canoe

 In November of 2017  - Mennonite Floor Patterns Pre and Post 1920's at the Gallery Shop, Winnipeg Art Gallery (WAG).